PDF Ebook Filming the Gods: Religion and Indian Cinema (Religion and Media), by Rachel Dwyer
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Filming the Gods: Religion and Indian Cinema (Religion and Media), by Rachel Dwyer
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Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas.
Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
- Sales Rank: #262565 in Books
- Published on: 2006-07-26
- Original language: English
- Number of items: 1
- Dimensions: 9.17" h x .47" w x 6.20" l, .71 pounds
- Binding: Paperback
- 208 pages
Review
'Scholarship is at its finest when it makes you think and Dwyer's book certainly does ... For anyone who wants to understand why Indians – or at least predominantly Hindi-speaking Indians-like their entertainment the way it is, this is a book both wise and witty. Let the critics call Hindi cinema kitschy. Dwyer knows why many Indians are devoted to it.' - India Today�
About the Author
Rachel Dwyer is Professor of Indian Cultures and Cinema at SOAS, University of London. Her main research interest is in Hindi cinema, where she has published on film magazines and popular fiction; consumerism and the new middle classes; love and eroticism; visual culture; religion; emotions; Gandhi and the biopic; and Hindi cinema in East Africa and in the UK.
Most helpful customer reviews
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Scholarly Analysis of Indian Religious Film
By Anicca Nirdesa
This is an academic analysis of religious Indian film. People not interested in a scholarly approach will probably not enjoy it as it is not an easy read.
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