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Drum Dream Girl: How One Girl's Courage Changed Music, by Margarita Engle
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Girls cannot be drummers. Long ago on an island�filled with�music, no one questioned that rule—until the drum dream girl. In her city of drumbeats, she dreamed of pounding tall congas and tapping small bong�s. She had to keep quiet. She had to practice in secret. But when at last her dream-bright music was heard, everyone sang and danced and decided that both girls and boys should be free to drum and dream.
������� Inspired by the childhood of Millo Castro Zaldarriaga, a Chinese-African-Cuban girl who broke Cuba's traditional taboo against female drummers, Drum Dream Girl tells an inspiring true story for dreamers everywhere.
- Sales Rank: #17321 in Books
- Published on: 2015-03-31
- Released on: 2015-03-31
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .42" w x 8.00" l, .0 pounds
- Binding: Hardcover
- 48 pages
From School Library Journal
Gr 1–4—Engle's spare, rhythmic text gets at the heart of the struggle to achieve a dream in this picture-book biography about a Chinese African Cuban girl who aspired to play drums even when society's double standards stood as a barrier. Growing up in tempestuous 1930s Havana, during a time when universities were often shut down because of their opposition to the dictatorial President Machado, Millo Castro Zaldarriaga dared to dream of playing percussion instruments—timbales, congas, bong�s—but her father was adamant that "only boys should play drums." But still she persisted in her hopes and eventually, with the help of her sisters and music teacher, became a member of the renowned Anacaona, Cuba's first all-girl dance band, founded by her sister, Cuchito Castro. L�pez's zinging, neon-tinged art highlights the island's diversity, depicting the drum girl's flights of fancy set against the backdrop of carnival scenes and outdoor cafes. Details of Cuba's and the protagonist's Chinese, African, Ta�no, and Spanish roots are seamlessly interwoven into the lyrical narrative and luminous acrylic paintings. The alliterative text parallels the snappy syncopation of the subject's instruments. The heroine's tenacity in the face of naysayers will inspire all dreamers, and the illustrator's smile-inducing cameo on the last page emphasizes the universality of Millo's story. For those looking for more nonfiction titles about female musical powerhouses, such as Monica Brown's My Name Is Celia/Me llamo Celia (Cooper Square, 2004), Katheryn Russell-Brown's Little Melba and Her Big Trombone (Lee & Low, 2014), and Carole Boston Weatherford's Leontyne Price: Voice of a Century (Knopf, 2014). An author's note gives more background on the groundbreaking percussionist. —Shelley Diaz, School Library Journal
Review
* "A beautiful account of a young girl's bravery and her important contribution toward gender equality in the creative arts."
—Kirkus, starred review
* "The heroine’s tenacity in the face of naysayers will inspire all dreamers, and the illustrator’s smile-inducing cameo on the last page emphasizes the universality of Millo’s story...For those looking for more nonfiction titles about female musical powerhouses."
—School Library Journal, starred review
"The text and illustrations work together beautifully here, creating a story that will imbue readers with inspiration and a yearning to make music of their own."
—Booklist
"A valuable addition to the growing library of stories about strong Latina women."
—Publishers Weekly
"With its emphasis on artistry and visual metaphor, this title bears a strong kinship with Yuyi Morales’ Viva Frida, but it also brings an accessibility that young viewers (and teachers) will appreciate."
—Bulletin
"Engle’s poetic text takes its cues from Zaldarriaga’s chosen instrument, its rhythm at times steadily assured and at others loose and improvisational...[E]very spread is full of motion, with some of the illustrations requiring a ninety-degree turn, as if the book itself has got to dance."
—Horn Book Magazine
"Engle's poetic narrative combined with Lopez's warmly ethereal folk-art illustrations to evoke a nighttime tropical dreamscape."
—New York Times Book Review
�
About the Author
Margarita Engle is a Cuban-American poet and�novelist whose work has been published in many countries. Her many acclaimed books include Silver People, The Lightning Dreamer, The Wild Book, and The Surrender Tree, a Newbery Honor Book. She is a several-time winner of the Pura Belpr� and Am�ricas awards, as well as other prestigious honors. She lives with her husband in Northern California. For more information, visit www.margaritaengle.com.
Rafael L�pez grew up in Mexico City, where he was immersed in the rich cultural heritage and color of street life. He is the illustrator of many vibrant picture books, including the acclaimed�Drum Dream Girl: How One Girl's Courage Changed Music by Margarita Engle and Maybe Something Beautiful: How Art Transformed a Neighborhood by F. Isabel Campoy and Theresa Howell. He has received the Pura Belpr� and Am�ricas awards multiple times. Rafael Lopez�also designs�and creates community-based murals nationwide. He divides his time between San Miguel de Allende, Mexico, and San Diego, California. www.rafaellopez-books.com
Most helpful customer reviews
4 of 4 people found the following review helpful.
Pull up the music sites, you'll want to have examples ready!
By Dione Basseri
In early 20th century Cuba, drumming was something for only boys and men. This book tells of Millo Castro Zaldarriaga, a girl so enamored of the drums that she even managed to change her own father's mind, getting lessons and becoming the first well-known female drummer in Cuba, and the one to open the way for all girls after her to have the chance.
The artwork in this book blends strong outlines and smooth shading, as well as somewhat cartoonish expressions of humans. There's also a strong presence of nature in each image, calling upon Cuba's diverse ecology. Even the night-time scenes are given life, making this a rather energetic book.
The book ends with a little blurb on the real drummer girl, which gives enough information to hopefully allow readers to find some music from the girl on YouTube or on music sites. You'll definitely want to pull some music up after reading this, to add to the educational value and, hey. Music!
My only real complaint is the second instance of a "sideways" page, which is a little pet peeve of mine in children's books, which I've noticed appearing more lately. The first image sent sideways, making one tall page, is of a stilt walker, and that's a good use of the space. The second is of the girl looking up at a caged drum, and the image would have done just as well being wide, instead of tall. But, as my said, that's my only complaint, and it's just something I dislike.
While I do give it five stars, keep in mind that not every kid is going to want a copy of their own at home. Check it out from your library, and if they keep for asking it, make the purchase. Public libraries, however, would be well advised to make sure there's a copy on the shelves.
3 of 3 people found the following review helpful.
Wonderful!
By Sean Bacon
I thought the text and illustrations worked together in an incredible way to teach an important lesson about believing in your dreams. The rich textures and colors and ideas make the images soar. Love the vertical page with dancers in masks on stilts and the haunting jungle scene where she plays to imaginary animals and even the moon. I teach art and the concepts like a drum with wings and surrealistic style made both my niece and I smile. Simply fantastic illustrations by Rafael L�pez add even more magic to the poetic words in this bold, bright picture book biography.
2 of 2 people found the following review helpful.
Enchanting
By Mariana Llanos
An amazing book for readers of all ages. I read it with my kids ages 9 and 4, they loved not only the story, but also the illustrations. A few days later, my 4-year -old told me, "Mom, I dreamed of the Drum Dream Girl! I was playing the drums!" This book is important not only for its beautiful prose and appealing art, but also to remember how women were not allowed to follow their dreams at certain point of our history.
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